Throughout the creation of Global Lens , technology played a huge role in helping me bring my ideas to life. I relied on a combination of software, hardware, and online tools that worked together to support every step of my process — from planning and designing to research and final presentation. Starting with hardware , I mainly used my MacBook Air  and iPhone . My laptop became the base for all design and editing work, while my phone was essential for capturing photos, tak

When I started working in the Media Studies domain, my production skills were very basic. I had a general idea of what I wanted to create — something elegant and meaningful — but I didn’t yet know how to translate that vision into a real media product. Over time, through research, experimentation, and feedback, I developed a much stronger understanding of how to combine design, photography, layout, and storytelling  into one cohesive brand. At the beginning, I focused heavil

When developing my product, I wanted to create a magazine that connects with readers emotionally as well as intellectually. My main aim was to make global media and diplomacy more relatable and engaging, especially for younger audiences who often see these topics as distant or overly complex. From the very beginning, my focus was on interaction, not just information — on building a product that encourages curiosity, interpretation, and participation. One of the most importan

When I first came across this question, my thoughts quickly shifted to how my magazine took shape. Right from the beginning, I aimed for it to stand out from what's typically seen. Global Lens covers topics like media, politics, and culture, yet I didn't want it resembling the typical news or political publication. My goal was something that felt current, imaginative, and worldwide while remaining serious and insightful. The main concept of the magazine involved blending jou